By Brian Massumi
A surprise to notion brings jointly essays that discover Deleuze and Guattari's philosophy of expression in a few modern contexts. it will likely be of curiosity to all these in philosophy, cultural reviews and artwork concept. the amount additionally comprises an interview with Guattari which in actual fact restates the 'aesthetic paradigm' that organizes either his and Deleuze's paintings.
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Additional info for A Shock to Thought: Expressions After Deleuze and Guattari (Philosophy & Cultural Studies)
6 ‘Irony … determines … the whole of the possible as a supreme originary individuality … [it] acts as the instance which assures the coextensive of being and the individual within the world of representation … [rendering] possible the ascent of the individual’, (Deleuze, 1990a: 138). 7 The current of postmodernism following from Baudrillard was perhaps given its most surrealist-absurd formulation in the work of Arthur and Marilouise Kroker. Seriously absurd currents pivot on the later work of François Lyotard on Kant.
8 2 BEAUTY LIES IN THE EYE Steven Shaviro 1 It has become quite fashionable to talk about the Sublime, as it is presented in Kant’s Critique of Judgement, in relation to postmodernism. But it is rare to find anyone who similarly considers Kant’s presentation of the Beautiful. 2 The Sublime seems more appropriate to contemporary taste because it is an aesthetic of immensity, excess, and disproportion. Whereas the Beautiful is one of harmony and proportion. It is as if Beauty were somehow oldfashioned, whereas the Sublime is considered more radical.
Stephen Zagala also develops an ethico-aesthetics xxxv BRIAN MASSUMI 12 13 14 15 16 17 18 19 in his contribution. Thomas Lamarre analyses the streaming of the world as expression, through bodily fostering sensation, into the brush-stroke of the Japanese calligrapher. They are often treated synonymously, especially in passages where the influence of Gilbert Simondon’s energeticism is evident. These tensions are not necessarily contradictions. The non-dynamic treatment of the virtual imposes itself where it is a question of the differential mode of reality of the virtual in itself.
A Shock to Thought: Expressions After Deleuze and Guattari (Philosophy & Cultural Studies) by Brian Massumi