Download PDF by Committee to Protect Journalists: Attacks on the Press: Journalism on the World's Front Lines

By Committee to Protect Journalists

ISBN-10: 1118611292

ISBN-13: 9781118611296

Each day, reporters worldwide face outstanding risks—from imprisonment and assassination to easily simply "disappearing"—all for the moral perform in their occupation. stuck among wars and uprisings and corrupt police and drug cartels, in addition to more and more oppressive censorship legislation, they locate themselves in probably the most risky occasions that you can think of. it's because the Committee to guard newshounds (CPJ) keeps to create the once a year version of assaults at the Press.

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Extra resources for Attacks on the Press: Journalism on the World's Front Lines

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See Nichols (1991, pp. 3–4 and passim) for more on ‘the discourse of sobriety’. Nichols’ phrase became key to academic discussion of documentary film. Through this phrase, he situated documentary discourse with the serious, rational areas of human social and legal activity, and thus bracketed it off from (for example) the less sober discourses of entertainment modes. The core group presented panels at a number of international conference series such as ‘Visible Evidence’ and NECS (2007–12). Åsa Bergström pointed out to her editors that the decision to standardise chapter titles meant that it was possible to infer from her subtitle (formerly her title) that Sweden itself was a ‘borderland’ in terms of its place in Greater Europe.

Usually borders are understood as a symbolic entity, which turn into a material barrier aimed at dividing and separating. But paradoxically, exactly because of this ability to disconnect, a border also creates points of entanglement and even sites of transition, as 44 T. EBBRECHT-HARTMANN Michel de Certeau has emphasized through his observation that a border is ‘created by contacts, [because] the points of differentiation between two bodies are also their common points.  127). In German television docudramas the German-German border constitutes just such a point of entanglement.

An example of this ambivalent status of television drama in the GDR, partly also taboo-breaking, was the mini-series Die Bilder des Zeugen Schattmann (The Images of the Witness Frank Schattmann, DDR-TV, 1972), based on the novel by Auschwitz survivor Peter Edel. This series, the first historical drama to explicitly address Jewish suffering during the Nazi period was broadcast on East German television several times and once even competed with the canonical American mini-series Holocaust (USA 1979, dir.

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Attacks on the Press: Journalism on the World's Front Lines by Committee to Protect Journalists


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